Chicago

Patti LuPone, Jesse Tyler Ferguson win Tony Awards

NEW YORK — “MJ,” a bio musical of Michael Jackson stuffed with the King of Pop’s biggest hits, nabbed three early Tony Awards, as did a gender-switched revival of “Company,” including earning Patti LuPone the third Tony of her illustrious musical theater career.

LuPone won best featured actress in a musical for her work in the revival of Stephen Sondheim’s “Company,” and she thanked COVID-19 safety officials in her acceptance speech. “Modern Family” star Jesse Tyler Ferguson won the Tony for best featured actor in a play for his work in the revival of “Take Me Out.”

“Mom, Dad, thank you for letting me move to New York when I was 17,” said Ferguson, who also thanked his understudy and his husband.

Sam Mendes won the Tony Award for best direction of a play for helming “The Lehman Trilogy,” a play about what led to the collapse of Lehman Brothers. He praised the season for its “rampant creativity.”

Marianne Elliott made Tony history by becoming the only woman to have won three Tonys for directing, the latest for “Company.” She thanked the late composer Sondheim for letting her put a woman “front and center.” She dedicated her award to everyone fighting to keep theaters open.

Host Ariana DeBose kicked off her portion of the show in a sparkling white jumpsuit and wide-brimmed hat, dancing and singing to the song “This Is Your Round of Applause,” which mashed up shards of musical theater favorites, like “Chicago, “The Wiz,” “Evita,” “Rent,” “Hair,” “Cabaret,” “Hairspray” and “West Side Story,” the movie remake for which she recently won an Oscar.

Still panting while welcoming viewers, she told the crowd that this was the season “Broadway got it’s groove back.”

The season was marked by the embrace of seven Black playwrights, from contemporary writers like Dominique Morisseau, Keenan Scott II and Antoinette Nwandu, to underappreciated historical playwrights like Alice Childress and Ntozake Shange. DeBose said Broadway was more representative.

DeBose celebrated the Black voices and onstage talent — as well as noting that two Broadway theaters were being renamed for Black icons James Earl Jones and Lena Horne — saying that “The Great White Way” was now a nickname “as opposed to a how-to guide.”

DeBose also hailed the heroic efforts of understudies, swings and standbys to keep shows going throughout pandemic spikes, noting that she and many other Tony nominees had once been unheralded understudies and swings.

Some of the show highlights included the massive cast of “The Music Man” filling the massive Radio City stage with “Seventy-Six Trombones,” as well as Prince Jackson and Paris Jackson introducing the show about their father before the “MJ” cast danced to an energetic “Smooth Criminal.” Billy Crystal taught the crowd “Yiddish scatting.”

Earlier, Darren Criss and Julianne Hough kicked off the four-hour awards, handing out mostly design awards. Criss opened the telecast with the original song, “Set the Stage,” as he and Hough energetically danced up ladders, on laundry hampers and in sliding theater seats to celebrate the artists who keep theater alive.

The first award of the night — for best score — went to “Six: The Musical,” with music and lyrics by Toby Marlow and Lucy Moss. Marlow became the first out nonbinary composer-lyricist to win a Tony. “Six: The Musical” also picked up the award for best costumes for a musical.

The revival of “Company” nabbed best scenic design for a musical. Best orchestrations went to “Girl From the North Country.” “The Lehman Trilogy” won for best scenic design of a play and lighting design of a play.

“The Skin of Our Teeth” won best costumes for a play, “MJ” won for choreography, best lighting of a musical and sound design of a musical, while “Dana H.” won for sound design of a play.



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